Showing posts with label murine. Show all posts
Showing posts with label murine. Show all posts

Tuesday, February 3, 2015

came across these pictures recently



it was 2007 and I was invited to take part in Artist residency program in Portland, OR, in the glass studio of Bullseye Glass Co. One of most amazing glass experiences of my life. While in Bullseye I made three different animal canes (deer, dragon and flying squirrel), in six parts that would interchange and make nine canes in total, which were kiln formed into a panel of animals and silly monsters.
image 1: Canes
image 2: Test for the panel
image 3: Finished Animal Panel, 12x12 inches

Sunday, November 9, 2014

Glass cane going seasonal

These glass mosaic canes will be turned into tree ornaments and jewelery. So much to do, so little time.

Friday, July 5, 2013

Why is cane (miniature mosaic glass) so expensive?

I do get asked this all the time so I took a minute this morning, while waiting for the kiln to ramp up and ran some numbers, which I hope will help to explain:
in the short of it:
by time it is finished I am out about $500 worth of expenses and up to 400 hours of work
in the long of it:
for franchini (shaded) style of large size (30-40 mm dia) portrait cane:

three tanks of propane $66
pounds of glass?
15 pounds color $100-150
10 pounds clear $60- 80
electricity bill goes up $150-$200/ month
(example: 4 consecutive days in the kiln for ONE large component only)
two dead oxygen concentrators (machinery depreciation) $ 600
cutting blade #35
felt belt $35
cerium oxide $25
tools in need of replacing ?

grand total low end : $541 (not counting the dead machinery, damaged tools )
Optimistic, ideal timeline:
engineering: research, drawings, breakdowns, strategic planing  7 days
component building (5-6, +couple of redos) 14 days
coldwork 1 day
component assembly 2-3 days
25 days @ 8 hours a day = 200 hours
25 days @ 10 hours a day = 250 hours
25 days @ 12 hours a day = 300 hours

final cutting and polishing
coldwork 5-7 days
aprox 60 hours
I do take my time, I like them to be detailed, to my liking, sometimes the work gets stretched over couple of years even.

last but not least:
-skill building for over ten years (for me)
-rarity of an image ( I work small = low edition / production numbers)
-artistry, esthetic, mojo, spirit, Lucie touch (as my dear husband calls it)
-ten ears of extensive classical art education / training
than there is also:
-minor and major burns (comes with the territory, do not mind those)
-agonizing pain in my hands, wrists, elbows and shoulders
 (this is very personal, and I am tough as nails, not a complainer kind)
-severe allergy to cerium oxide polishing compound (this one is really lame!)




Thursday, April 18, 2013

Archival Picture

Collector asked me for archival picture, what a great idea! 
Most of the Cane work 2002-12

Tuesday, July 10, 2012

Thank you, Toronto!

We did it. We made it, leaving home at 5:08 am Friday mornin, setting up, and sticking it out through out the temperatures that felt like 45C all day long. The weekend went well, the show was great!
Thank you everyone for such an amazing support and encouragement! Couple of paperweights found new homes, dragon cane and oodles of beads and jewelry.
I even sold four of my display photographs.
 Thank you!

Wednesday, July 4, 2012

New Necklace - Ten Years Baby!



That is right. It is been ten years since I started working with glass. These canes are on mostly smaller side.
However made between 2002 and 2012. Sixteen of them, and the Neffertiti in the middle.
I will have it at the Toronto Outdoor Art Show next weekend, stop by and see for yourself!
Their site here: TOA

Wednesday, June 20, 2012

"...SO...


... I made blueberry pancakes,
will you cut and polish these ...?
What, what... blueberry pancakes? Yes dear. "